For someone who visits her close-knitted family in her Johor Bahru hometown
weekly, adapting to circuit breaker measure in Singapore was an emotionally and
mentally draining feat. Tin Box The Live House full-time resident singer, Relyne
Ban, speaks of her time spent in Singapore during the pandemic. In this
interview, she reveals her coping strategies and other skills she has garnered
despite the current limitations.
“The first two weeks of the lockdown was the most unbearable
especially since the apartment I stay in is only 70 square feet small. Given
that I work outside most of the time, living in a small space like this has
always been manageable. I used it as mainly a space to sleep in. However, since
the lock down and restrictions were set in place for circuit breaker, being
confined alone could become very lonely and dejecting. Coupled with being
homesick, I was emotionally fragile despite my friends checking up on me during
the first two weeks.”
When asked whether getting herself out of rut was a gradual and
natural process, she replied cheerfully, “Nope! I made a conscious effort to
remind myself that I should take this time to improve on things that I lack in,
or have put on hold before going to work at Tin Box The Live House. It was also
helpful that the band members were tasked with constantly producing content for
social media, and it managed to take my mind off things when I was practising
and recording.”
As a live performer, most of Relyne’s work revolves around practising and
turning up for work to perform in front of an audience. Learning to set up
recording equipment, lighting and getting a hang of camera angles were all
skills she picked up while shooting for Tin Box The Live House.
“I’m extremely thankful for having the resident band’s support throughout this
trying time too,” she says. “Our band leader, Jia Rong, holds a video conference
with all of us weekly and is always coming up with different games for us to
play online. We’ve grown to embrace each other not only professionally, but as
friends. There was one recording I had to produce and my computer programme was
not working that day. Our bassist, Clement, suggested I send the file to him and
he very kindly edited everything for me. With support like this, I genuinely
feel like I’m not alone.”
Relyne looks forward to the day Live Music can resume at Tin Box The Live House.
“I can’t wait to return to the stage and perform our new repertoire! I hope to
see you there!.”